Christophe Cellier "unconditional past" 2012 Through the diversity of female images that move through my mind, I construct an indirect portrait of myself. Coming from different cultures and horizons, they embody alternative inner worlds rather than distinct individuals. Each carries its own promise of happiness or of unease, coherent in itself yet incompatible with the others. This work does not aim to reconstruct a biography or to identify a central figure, but to make visib

Christophe Cellier "Le mètre étalon" 2012 Yet, I feel that what is at stake is not a project, but a form of attunement. Like Mazeppa bound to the horse, carried across thresholds by forces larger than himself, my path unfolds through resonance rather than control. Forms return as echoes, borders vibrate instead of yielding, and territories become fields of intensity. The equine figure breath, pulse, instinct embodies this passage where body, memory, and landscape merge. Illne

Christophe Cellier "Altered states" 2006 If I speak or if I write, I bear witness to my vision of the world. All the more so when I generate or capture the faces that the networks deliver to me. Among these images there are apparitions that verge on miracles, but also spectres of horror, which I merely reveal. The posture of the creator remains singular: it is a matter of claiming a relation to the world. But in the age of algorithms, this relation is mediated by countless in

I wander through the summer of uncanny dread, a kingdom of shadows where the human form trembles at the edge of its reflection, where the...